Dwight Dons Spandex

You remember that movie Kick Ass?  You know, the one where the loser kid wonders why nobody ever fights crime in a costume-so he decides to do it?  And teams up with a precocious ten year old girl who kills people and swears a lot?  And how it was all seen as good something sane people would do?

James Gunn (writer director of Slither and writer of the Dawn of the Dead remake) thought that film was full of $#!^ (to use comic book talk).  In the world of Super, in which Dwight from the Office has a mental breakdown and decides to fight the evil Kevin Bacon to save his elvish wife with the help of Juno, you have to be a little off to want to put on a costume and fight crime.

The story centers on Frank (Rainn Wilson).  Frank has lived a life of humiliation after humiliation.  His only two good moments were marrying his wife Sarah (Liv Tyler) and the time he helped catch a criminal.  His wife falls in with a bad crowd, hooked on drugs and eventually, she leaves him.

Frank sees a cheesy Christian Super-Hero called The Holy Avenger (played by Nathan Fillion) on TV (think Bibleman).  Later, after pouring his heart out in a prayer, Frank has avision.  This vision convinces him he has a special calling.  And so he vows to fight crime in a costume with a night stick.

Beating up criminals makes him a public phenomenon at first, until Frank overreacts to a guy who makes a slight social faux paux.  He meets Libby (Ellen Page), who discovers his identity and becomes obsessed with being his “kid” sidekick.  What soon becomes apparent is that she is not interested in doing what is right so much as the action and rush involved.

That the film can be very dark was not truly a surprise to me.  It really does present the idea of super-hero work as requiring that you be a bit disturbed.  While not a new idea in comics (Garth Ennis makes quite a living off of the notion) after several years of stable heroes in film…this rather cynical take works pretty well.  Of course, it came out the same year as the film Defendor-and even covers similar ground.  But still, Wilson makes a pretty compelling mental case, who can be endearing and yet a bit scary.  Kevin Bacon is good as a low level drug kingpin wanna be, while Page goes from a fun exhuberance to a really uncomfortable and tragic place.  Gunn really makes the story work, and finding a way to inject satire in with sincerity that is usually very hard to get right.

There is a brutal honesty when Frank is on his knees, in tears begging God for an answer as to why his life seems so stacked against him.  He pours out every bit of self resentment and begs God for an answer…why do I have to look like this?  Why couldn’t I have been smarter?  Cooler?  More loveable.

Frank is messed up, but you can understand and sympathize as to why.  He really wants life to be more simple than it is.  Underpinning the film is a rather grim and unpleasant portrayal of violence that challenges the cool action hero of something like Kick Ass.  It is disturbing and lacks the “cool one liners and puns” prevelant to other violent action heroes.

And yet, in spite of the grimness, the film finds a way to end on an upbeat and even inspirational note, without feeling false or tacked on.  It never justifies what went on before, instead suggesting some healing for Frank.

Super really caught me off guard, in spite of having heard posistive raves about it, I think I anticipated a more gritty take on Kick Ass, but I got something much better out of it.  Yes, it was violent, but it was also thoughtful, touching and inspirational.

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